Studiologic Sledge 2.0 Manual Bedienungsanleitung PDF herunterladen (Seite 44)

SLEDGE by Studiologic®

Type: when a low pass type is selected via the Type parameter, all

frequencies above the cuto frequency are damped. When a high

pass type is selected, all frequencies below the cuto frequency are

damped. When a band pass type is selected, only frequencies near

the cuto setting will be passed through.

Note: more movement can be added to the sound by modulating

the cuto frequency via the LFOs, the envelopes or the Keytrack

parameter of the lter. At a value of 64 and a Resonance value

of 114, the lter oscillates with 440Hz, which is equal to A4 (the

Comb+ type oscillates one octave higher). Tuning is scaled in semi-

tone steps. When Keytrack is set to approx +100%, the lter can be

played in a tempered scale.

Slope: 24dB/12dB: the 24dB allows to create sounds with a typi-

cal audible ltered character; the 12dB slope creates softer results.

BP 24dB / BP 12dB Band Pass remove frequencies both below and

above the cuto point. As a result, the sound character gets thin-

ner. Use these lter types when programming eect and percus-

sion-like sounds. HP 24dB / HP 12dB High Pass are useful to thin out

a sound’s bass frequencies. This may also give interesting results in

conjunction with cuto frequency modulation.

Cuto: controls the frequency for the low pass and high pass lters

and the central frequency for the band pass and notch lter

Resonance: controls the emphasis of the frequencies around the

cuto point. Use lower values in the range of 0…80 to give more

brilliance to the sound. At higher values of 80…113 the sound gets

the typical lter character with a strong boost around the cuto

frequency. When the setting is raised to values above 113, the lter

starts to self-oscillate, generating a pure sine wave. This feature can

be used to create analog-style eects and percussion-like electro-

nic toms, kicks, zaps etc.

Keytrack: this parameter controls the lter position related to the

keyboard: for values around 100, the lter general frequency will

follow the keyboard octaves; a low pass lter set around 200 Hz

when playing a C2, will move to approx 400 Hz when playing a C3.

Drive: determines the amount of saturation that is added to the

signal, at the input of the Filter. Increasing the value will bring in

more and more distortion, suitable for harder lead sounds and ef-

fects.

FILTER

FILTER FILTER ENVELOPE

Filter

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Studiologic Sledge 2.0 Manual Bedienungsanleitung Seite 44